F A N N Y H O W E : FICTIONS OF
PROVOCATION AND RESISTANCE

EVENT DESCRIPTION: 6:00pm, Saturday, 8 November 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Kim Jensen will lead a seminar on the work of Fanny Howe. Following a formal talk and moderated discussion, Fanny Howe and Kim Jensen will read from their poetry. TALK TITLE: Fanny Howe: Fictions of …

RADICAL MEDIEVALISM

EVENT DETAILS: 6:00 pm, Friday, 25 April 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-critics David Hadbawnik and Daniel Remein lead “Radical Medievalism,” a seminar attending to concerns focused on medievalism as poetic and scholarly practice, the San Francisco Renaissance, and the agitated relation of Berkeley poets …

IMMORTALITY IN PUBLIC

EVENT DETAILS: 6:00 pm, Saturday, 15 March 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-activist Josh Stanley will lead “Immortality in Public,” a seminar addressing lyric poetry, labor organizing, subjectivity and immortality. Following a formal talk and moderated discussion, Stanley will read from his poetry. EVENT DESCRIPTION: …

THE LIFE AND (SOCIAL) DEATH OF METAPHOR IN AMIRI BARAKA

EVENT DESCRIPTION: 6:00 pm, Friday, 25 July 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-critic David Grundy will lead a seminar on the poetry of Amiri Baraka. Following a formal talk and moderated discussion, Grundy will read from his recent poetry. TALK TITLE: The Life and (S0cial) Death of …

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F A N N Y H O W E : FICTIONS OF
PROVOCATION AND RESISTANCE

EVENT DESCRIPTION: 6:00pm, Saturday, 8 November 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Kim Jensen will lead a seminar on the work of Fanny Howe. Following a formal talk and moderated discussion, Fanny Howe and Kim Jensen will read from their poetry.

TALK TITLE: Fanny Howe: Fictions of Provocation and Resistance.

TALK DESCRIPTION: Kim Jensen will be commenting on the fictional work of author, poet, and essayist Fanny Howe, focusing particularly on Howe’s last novel Indivisible. Jensen will invite us to consider the ways that Howe’s structural and thematic interventions pry apart rigid notions of form, subvert the hegemony of the ego, and make important contributions to a vital culture of resistance.

BIO NOTES:

Fanny Howe is the author of more than twenty books of poetry and prose, including Come and See, The Lyrics, and The Winter Sun: Notes on a Vocation. She received the 2009 Ruth Lilly Poetry Prize for lifetime achievement. She lives in Massachusetts.

Kim Jensen is writer, educator, and political activist who has lived in France, California, and the Middle East. She and her husband Palestinian painter Zahi Khamis have been involved in human rights and social justice movements for many years.

SEMINAR MATERIALS:

Fanny Howe, “Bewilderment.How2 1.1 (March 1999).
Kim Jensen, “Fanny Howe.BOMB (Winter 2013).

THE LIFE AND (SOCIAL) DEATH OF METAPHOR IN AMIRI BARAKA

EVENT DESCRIPTION: 6:00 pm, Friday, 25 July 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-critic David Grundy will lead a seminar on the poetry of Amiri Baraka. Following a formal talk and moderated discussion, Grundy will read from his recent poetry.

TALK TITLE: The Life and (S0cial) Death of Metaphor in Amiri Baraka

TALK DESCRIPTION: This talk posits that capitalism is a world-system whose propagandistic construction rests in part, on disguised metaphor and myth; and, more controversially, perhaps, that poetry is one of the places where this can be brought to a pitch, an outside, opposed and reversed. For, as Lorenzo Thomas puts it in a 1978 interview with Charles H. Rowell, if the poet cannot directly effect political change – the poem, not as a “functioning political entity - as rhetoric to be acted upon”, but as “creating consciousness, which will then inspire people to act” – they can rhetorically, metaphorically and symbolically participate in the creation and exploration of a collective consciousness constantly denied and diverted in capitalism’s mythos; can provide alternative metaphors and methods to live by. Given this, I will consider poetry written by Amiri Baraka in the first half of the 1960s, in which, through the use and examination of metaphor, poetry itself is tested as a place where such “possibilities of statement” might or might not shade over into “simple act”, might go beyond “the twisted myths / of speech.” Reference will also be made to the work of recent theorists of ‘Afro-Pessimism’, in particular, Frank B. Wilderson III: Wilderson’s notions of ‘social death’ and ‘natal alienation’, borrowed from Orlando Patterson, will be applied to Baraka’s work.

BIO NOTE: David Grundy studies at the University of Cambridge in England. He co-runs the reading and publication series Materials.

SEMINAR MATERIALS: We strongly encourage attendees to read through the materials linked to below in advance of the seminar:

1) Amiri Baraka, Various Poems.
2) Frank Wilderson, III, “Gramsci’s Black Marx: Wither the Slave in Civil Society?Social Identities, 9.2 (2003).
3) Frantz Fanon, excerpts from White Skin, Black Masks (1967).
4) David Grundy, “Happy Now” (2013).
5) David Grundy, “The Problem, The Questions, The Poem” (2014).

RADICAL MEDIEVALISM

EVENT DETAILS: 6:00 pm, Friday, 25 April 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-critics David Hadbawnik and Daniel Remein lead “Radical Medievalism,” a seminar attending to concerns focused on medievalism as poetic and scholarly practice, the San Francisco Renaissance, and the agitated relation of Berkeley poets Jack Spicer and Robin Blaser to the English Department. Following talks and moderated discussion, Hadbawnik and Remein will read from their recent work in poetry and translation.

 

TALK DESCRIPTIONS:

 

DAVID HADBAWNIK | JACK SPICER AND THE ENGLISH DEPARTMENT: This talk will expand on ideas from my previous essay on Jack Spicer and Geoffrey Chaucer, “Time Mechanics,” to discuss Spicer’s troubled and tension-filled relationship with literary studies. Contemporary critics have often seen Spicer’s poetics of “dictation” as a radical break with literary tradition and academic learning, and a warrant for avant-garde strategies such as those of the Language writers. Spicer himself contributed to this perception with statements such as “I learned this from the English Department (and from the English Department of the spirit — that great quagmire that lurks at the bottom of all of us) and it ruined ten years of my poetry.” This attitude seems to have set the tone for a generation of poet-scholars who only reluctantly enter academia, viewing it as a means of pursuing a livelihood and an increasingly unlikely venue for political action. I will explore Spicer’s ambivalent but ultimately generative relationship to the English Department, and the ways in which it shaped him as a poet and political thinker.

 

DANIEL REMEIN | BEOWULF AND THE BERKELEY RENAISSANCE: In his first attempt to systematically formulate his poetics in print, the twentieth-century poet Robin Blaser (collaborator with Jack Spicer and Robert Duncan in the “Berkeley Renaissance” of the late 1940’s and early 50’s) links the basic questions of his poetics to an experience of listening to philologist Arthur Brodeur read aloud from Beowulf during a graduate seminar at UC Berkeley, that Blaser and Spicer took together (in 1949 or 1950). My talk closely reads Blaser’s anecdote in tandem with Spicer’s classroom notes in the context of the pedagogy of Old English at mid-century. I explore how Blaser and Spicer negotiate their responses to Beowulf and the aesthetically-oriented philology which characterized critical work on Beowulf at mid-century—even as the two avant-garde poets worked to distance themselves from the tendencies of the New Criticism and to contribute to the development of an institutional creative writing curriculum. In particular, I argue that a broad “English Studies” disciplinary model afforded Blaser and Spicer an institutional space in which to formulate their decidedly avant-garde poetics. In their responses to Brodeur’s classroom, Spicer and Blaser both work towards formulating an aesthetics consonant with their politics.

 

BIO NOTES:

 

DAVID HADBAWNIK is a poet living in Buffalo, NY. Part one of his translation of the Aeneid was published in 2013 (Little Red Leaves); part two is forthcoming in 2014. In 2012, he edited Thomas Meyer’s Beowulf (Punctum Books), and in 2011 he edited (with Sean Reynolds) selections from Jack Spicer’s Beowulf for CUNY’s Lost and Found Document Series. Other publications include Field Work (BlazeVOX, 2011),Translations From Creeley (Sardines, 2008), Ovid in Exile (Interbirth, 2007), and SF Spleen (Skanky Possum, 2006). He is the editor and publisher of Habenicht Press and the journal kadar koli, and a co-editor of eth press.

 

DANIEL REMEIN holds a Ph.D in English from New York University where he completed a dissertation on medieval poetics and the Berkeley Renaissance. He is the author of the chapbook Pearl and his poems appear in a number of journals, most recently in TAG and Kadar Koli, He’s also a founding collaborator with the Organism for Poetic Research and its journal PELT, a co-editor of Eth Press, and editor of the occasional journal Whiskey and Fox.

 

SEMINAR MATERIALS: We strongly encourage attendees to read through the materials linked to below in advance of the seminar:

 

1) David Hadbawnik, “Time mechanics: The modern Geoffrey Chaucer and the medieval Jack Spicer.” Postmedieval 4:3 (2013).
3) David Hadbawnik, Sir Gawain and the Green Knight (2011).
4) Extract from The Collected Poetry of Jack Spicer (2008).
5) Extract from Arthur Brodeur, The Art of Beowulf (1959; 3rd edition 1969).

IMMORTALITY IN PUBLIC

EVENT DETAILS: 6:00 pm, Saturday, 15 March 2014. Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA. Poet-activist Josh Stanley will lead “Immortality in Public,” a seminar addressing lyric poetry, labor organizing, subjectivity and immortality. Following a formal talk and moderated discussion, Stanley will read from his poetry.

EVENT DESCRIPTION: Labor organizing requires the making public of subjective commitments and dreams – collective politics doesn’t mean less subjectivity, but more. This talk will focus on the poetic techniques used by John Keats and Keston Sutherland to represent the experience of immortality in Keats’s Endymion (1818) and Sutherland’s The Odes to TL61P (2013). Both Keats and Sutherland are invested in making public the experience of immortality and showing that the origins of these experiences are frequently in social life and erotic desire: separated by nearly two centuries, the two poets are responding to the representation of immortality (or the difficulty of representing immortality) in Wordsworth’s great Ode (“There was a time”). I will be trying to connect the need for representing experiences of immortality in poetry at the level of lineation to the work of political activism and the difficult work of representing for others the power of subjective experience, the power of what would otherwise seem fragile and combustible, and how through the insistence on the immortality of the dreaming and desiring subject that collective power is built to break the iron wall of capital. Embedded in this is an argument for both lyric and narrative poetry.

Josh Stanley is a poet, academic and activist. He has been living since 1987, which he continued doing in the south of England before moving to the USA in 2010. Stanley is the author of several chapbooks including Lich Value (Property Press 2012) and Contranight Escha Black (Critical Documents 2010); his poems were anthologized in Better Than Language (Ganzfeld Press 2011). From 2009-11 he edited the journal Hot Gun!. Currently, Stanley is studying for a PhD on Romanticism and eighteenth-century poetry at Yale University.

SEMINAR MATERIALS: We strongly encourage attendees to read through the materials linked to below in advance of the seminar:

1) Wordsworth, “Ode: Intimations of Immortality” (1802)
2) Keston Sutherland, “Ode to TL61P 1” (Enitharmon Editions 2013)
3) Hegel, “Religion in the Form of Art,” Phenomenology of Spirit (1807)
4) Keats, Endymion, Book 1 (1818).

See also the poem “A Story” by Josh Stanley.

CALENDAR OF EVENTS


6:00 pm, Friday, 25 July 2014: David Grundy, "The Life and (Social) Death of Metaphor in Amiri Baraka."

3:00 pm, Saturday, 24 May 2014: Ruth Jennison and Jordana Rosenberg. Further details TBA. This event has been cancelled.

6:00 pm, Friday, 25 April 2014: David Hadbawnik and Daniel Remein, “Radical Medievalism.”

6:00 pm, Saturday, 15 March 2014: Josh Stanley, "Immortality in Public."

Unless otherwise noted, all events will take place at the Center for Marxist Education, 550 Massachusetts Avenue, Cambridge, MA.

MEDIA | PREVIOUS EVENTS



David Grundy on Amiri Baraka. 25 July 2014.


David Hadbawnik on Jack Spicer and the English Department. 25 April 2014.


Daniel Remein on Beowulf and the Berkeley Renaissance. 25 April 2014.


Josh Stanley, "Immortality in Public." 15 March 2014.